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Unit  6 - Printmaking

Our fingerprints cannot be erased from the lives of those we have touched.

Their Lives in Print

March 2016

Etching on Book Pages (Art Geeks & Prom Queens by Alyson Noel • Rolling Dice by Beth Reekles • Lock & Key by Sarah Dessen • The Story of Us by Deb Caletti • Princess For Hire by Lindsey Leavitt • Kiss & Blog by Alyson Noel • The Devil Wears Prada by Lauren Weisberger • Sweet Little Lies by Lauren Conrad • The Choice by Nicholas Sparks)

Sizes:

Turquoise: 20.9 x 14.0 cm

Purple: 19.5 x 12.7 cm

Mint: 20.8 x 13.7 cm

Green: 20.9 x 13.5 cm

Light Purple: 19.3 x 13.0 cm

Coral: 20.8 x 13.8 cm

Burgundy: 17.6 x 11.0 cm

Pink: 20.9 x 13.6 cm

Navy: 17.1 x 10.5 cm

Their Lives in Print is a etching piece inspired by William Kentridge that is based on the idea of giving an identity to fictional characters who I've grown to know as friends.  Fingerprints are used to identify people in our society, and this piece merges our reality with the storybook world, giving a fingerprint to the people who I have known my whole life.  Each fingerprint was designed based on each character’s own personality and let’s them leave a mark on our world, just as they did in my life.

For this piece, I felt like I kind of struggled with creating an idea that I liked at first, however I had developed one of my earlier ideas of a fingerprint collage into this piece of individual fingerprints printed on book pages.  As I knew these characters, I could pair up the personality type for each fingerprint to match the personalities of the characters quite easily as well as figure out which colour I would want to print each fingerprint in.  I had planned my time around when I had class as that would be the only time I could print out my etchings.  I had done all the etchings at home using a compass and then, I had split them into two different groups so I would print half of them first then the other half, just based on the fact that we had a limited amount of time with the printing press.  For the etchings, I had drawn out with a marker, the curved lines of each fingerprint type (which I had created myself considering that these are fictional characters), and then when I etched with the compass on the acetate sheets, I would go over my lines to add thickness to match the prints that I had drawn, which would add to the saturation and vibrancy of the colours when I printed as there would be more of it.  For the printing, as many of the colours I had to mix, a lot of the prints came out slightly different in hue and shade, so I would print several of them then selecting my favourite one.  It took a lot of rubbing to remove the amount of ink I placed on the etch as I had to get the colour just right and as I was mixing right on the plate, I couldn't tell the colour beforehand.  That was probably the most time consuming aspect to the process of printing as I had to get the colour exactly right.

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